IDENTITY  ALWAYS PRESUPPOSING DIFFERENCE
--Interview with Maria Lucia, Cultural Attache in Embassy of Brazil
Article by  CEG journalists: Yang Cheng  Jiang Ling
2005.2
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English Version
oYang: In the modern world, globalization has become one of the hottest topics. Under the trend of globalizing, many fixed cultures have been greatly influenced. And the cultural diversity has been affected by this trend. What is your opinion of such a phenomenon?
   
Lucia: Since the age of the great discoveries, civilizations and cultures have been influencing one another, mixing in a way or other. This is not a phenomenon typical of the so-called post-modern age. Of course, the process of globalization and financial capitalism  strengthened the  influence of the dominant cultures, those from the industrialized countries, over the  peripheral ones. Cultural diversity, different cultural identities, struggles to subsist, to maintain their uniqueness before the pervasiveness of the American culture. I believe, together with some important theoreticians, that we are facing something new and challenging: the decline of strong national identities and the emergence of hybrid identities. That may seem a reason of concern for some,  however, it is a significant change in history. How many wars have been waged and disputes arisen in history out of the will to affirm and impose a particular country national identity? It’s enough to recall Nazi Germany. A hybrid identity would be a mix of intrinsic elements with foreign elements.  If we look around, that’s what we see  everywhere. Do you think the Chinese are really less Chinese because MacDonald’s has settled here?
   
You know, Brazil is a multicultural country. Brazilian identity was built mainly by the contributions of Portuguese people, indigenous people and Africans from many different cultures and languages. Italians, Arabs, Spanish, Germans, Hungarians, Polish, Jews - just to name some - have also contributed to make our society a true melting-pot . Brazilians are renowned for their openness, their relaxed attitude and their creativity. Of course, American culture is a strong presence in Brazil but the ÒBrazilian styleÓ continues to be a very special and easily identified one. Our food, our music, our cinema, our architecture, our way of being Latin Americans should resist the tendency of homogeneity of our globalized World.
   
oYang: Brazil is world-widely famous for its football culture, traditional dancing Samba, sculptures, etc. These have brought certain affects to other countriesÕ culture. In the meanwhile, Brazil’s national culture has been influenced by culture from other countries. We hope to see, how does Brazil view the relationship between national culture and foreign culture? Is foreign culture a benefit or threat to national culture?
   
Lucia:Of course I won’t deny foreign culture may be a “threat” to national culture. That’s the reason why it is necessary to have institutions and channels in the media that care for the protection of national diversity, for the expression of the “spirit” of the country. This is one of the main roles of a government. Considering the amazing diversity of China itself, with its 56 ethnic groups, and the richness of these cultures, minorities should be given all the means to protect their tangible and intangible heritage. I think one of the great challenges at present is to see the dialogue between cultures in a more open way, taking into account that identity always presupposes difference. It can be a good way to practice tolerance, a virtue so essential in our world.
   
oYang:On May 26th, 2004, a Brazilian art exhibition “Amazon-Indigenous Life” was held in China’s Palace Museum. We can see that Indian culture is a treasure to Brazilian culture. Taking this exhibition as an example, would you like to tell us how the Brazilian protect and develop Indian culture? Can traditional culture be connected with modern life, without losing the inner spirit of traditional culture?
   
Lucia:Presently there are in Brazil approximately 700.000 indigenous people, distributed in 220 different ethnic groups, with 180 different languages, according to recent data from IBGE (Brazilian Institute for Geography and Statistics). Besides the national institution to deal with indigenous issues, FUNAI, there are many NGOs working together with the Indians to help them protect their culture and way of life. The representatives of the indigenous communities have been struggling to get special schools for their people, special education where the Indians can learn their history and are able to preserve their cultures. The awareness of the importance of an indigenous pride, an indigenous struggle for survival in the best possible ways is more and more acute among the Indians. Many political leaders and some Indian intellectuals are already official spokesmen  for their people.
   
Of course, the dialogue of traditional cultures with urban, industrialized societies is a difficult one. But one cannot stop the wheel of history. It is an enormous struggle and nobody knows how it will end. We hope the traditional indigenous cultures will be able, with the help of government and civil society, to maintain their diversity, their millenary lore that has taught and still can teach us so many things. Indigenous knowledge about the environment and the medicines they can obtain from it are a precious contribution to Brazil and the world, but they have to be properly preserved and defended from the pharmaceutical industry interests. The spirit of the indigenous cultures, their cosmogonies, besides their poetic beauty should be better known and understood in the society we live in, which tends more and more to be raw utilitarianism.
   
oYang:  As is well known, the Brazilian athletes have shown their traditional strength in football game. So we would like to talk about it a bit today. Last year, the FIFA (Federation International of Football Association) declared that Linzi in Shandong province in China is hometown of football. This declaration has inspired many people’s interest, and we have made a theme report on it in our magazine. Would you like to talk about something on this?
   
Lucia: Linzi is the hometown of soccer, China is the homeland of soccer as well as of so many important things. Your magazine published a beautiful article about the subject with reproductions of paintings and sculptures on the theme of soccer in the Chinese culture. Our Minister of Culture has proposed to FIFA a cultural program for the next World Cup, with art and film exhibitions, installations, etc. I am sure the films which will be shown by Brazil in 2006 Football Exhibition will amaze and delight our Chinese friends. Let’s hope the iconography relative to  the origins of soccer in China will be shown on the occasion of the 2006 World Cup. The idea is to show the diverse origins of soccer – let’s not forget that the game may have been invented here, but the British made up the rules and it flourished in a very special style in Brazil!
   
Talking about football styles, I can’t refrain from remembering that the football art was one of our contributions to the world! Not only feet, but also legs and waist are required in our “soccer-dance”. Who could forget Garricha, Didi, Pele, Romario, Ronaldo?