The Uygur 12 Muqam is so large in scale and so complicated in rendition that
no rival can be found in this world. It consists of 360 sung poetry, stories,
dance tunes and instrumental sections. Some of the lyrics of the Muqam are
drawn from 44 great classic poets and folk poetry, totaling 4,492 lines of
words. The Twelve Muqam each consists of suites of fixed melodic sequences
and order. To sing a complete Muqam takes around 24 hours.
The Twelve Muqam is so loved by nearly every one in a whole minority group
that it has no match in this world. It is both a centuries-old cultural tradition
and a popular musical suite today; it is both a high-taste works of classic
poets and a favorite of farmers and children in the bottom of the social strata;
it is both a large scaled musical work and a musical piece that can be performed
by dividing into the minutest units.
The melody of Muqam is heard floating every where in places where the Uygurs
live, on big streets and small lanes, in teahouses and small restaurants,
in villages and town and country fairs, on the donkey-drawn carts, on the
back of camels or by bonfire. Young people get to love each other in singing
the poetries and people who had experienced miseries and hardships are buried
in the sand amidst Muqam music.
“I’ve lived in Uygur areas for years and found no one who cannot perform Muqam.
Men and women, old and young, every one can sing Muqam and can dance Muqam
dances,” said a Han musician. ÒIt is indeed a miracle that no one among
the Uygur who does not have a hand in the music treasure handed down from
their ancestors.
What is more surprising is such a large-scale suite that it consists of 360
sung poetry, stories, dance tunes and instrumental sections. Some of the lyrics
of the Muqam are drawn from 44 great classic poets and folk poetry, totaling
4,492 lines of words. The Twelve Muqam each consists of suites of fixed melodic
sequences and order. To sing a complete Muqam takes around 24 hours.
In fact, the Twelve Muqam is so old - having a history of hundreds of years
or even 1000 years - that when an elderly or a child of seven or eight sings
it, it seems to be a popular piece just off the table of a composer.
It is so high in taste - most of the sung poetries are drawn from classic
Uygur poets who wrote poems in the most beautiful language of Chagatai- that
when a Uygur farmhand or a Uygur girl harvesting in the field sings it with
imagination, it seems to be a music piece of his or her own creation.
It is so large in scale - it takes a whole day and night to sing the complete
thing without interruption - that when a Uygur sings it anytime and anywhere
irrespective of its completeness, consecration and solumnness, it seems that
it is nothing but part of his or her life.
This is Uygur's holy classic musical piece - Twelve Muqam.
In 2004, the Chinese government submitted an application with UNESCO for listing
it into the Masterpieces of the oral and intangible heritage of humanity.