“Ethnicity Vs. Globalization” is a column of our magazine involved in great
concerns. As we have noticed, globalization has aroused the attention of virtually
all politicians, thinkers, scientists, entrepreneurs, writers, artists and
scholars of humanity all over the current world, prompting discussions among
them on the question. From the beginning of 2005, we will put feature interviews
with cultural counselors, attaches, and scholars from different countries
in this column. Here, they will express their opinions and share their ideas
on this topic. The following article is the interview with British cultural
counselor Michael O'Sullivan on March 7th, 2005.
oYang Cheng: Nowadays, globalization has become one of the hottest topics.
Under the trend of globalizing, many fixed cultures have been greatly influenced.
And the cultural diversity has been threatened by this trend. What is your
opinion on such a phenomenon?
Michael O'Sullivan: I don't believe that cultures can be regarded as fixed.
Cultures are the product of creativity, and they change constantly, both from
within and as a result of external contact and exchange. Trying to protect
a culture from change and from contact with other cultures is not a good way
to preserve it; indeed, it is more likely that such methods will shorten the
life of a culture. The representative products of traditional cultures can
and should be preserved, but these cultures themselves should not be treated
as museums, they need renewal and change in order to survive.
oYang Cheng: As the western value gradually becomes the main stream, interpretation,
differentiation, competition, dialogue and fusion among different civilizations
have come out, how do you view this phenomenon? And in what way do you think
equal expressions and communications can happen to various cultures?
Michael O'Sullivan:It's difficult to define "western values". In
western countries, there exist many different values and ideas. And times
change. To take my country and my family as an example, my values are different
in some respects from my mother's. So it is quite difficult to say what "western
values" mean. Some people believe "competition" is a core value
in western countries, and that it represents a contrast with "harmony"
or "co-operation" in some other societies. But these days in China's
great cities, it seems to me that life for many people is a great deal more
competitive than in some quiet western cities I have visited.
oYang Cheng: For quite some years in the past, China has neglected Chinese
traditional culture to some degree. And in recent years, there has been a
new cultural trend-to reconsider and revalue our traditional culture. What
do you think of this trend?
Michael O'Sullivan:It's a positive trend in my opinion. But we need to distinguish
between paying more attention to preserving representations of China cultural
traditions - for example China's traditional architecture, artifacts, literature
and ancient music - and what is needed to improve the future prospects of
Chinese culture. Both are important, but to ensure a future for a national
culture it is not enough to preserve it, we need to encourage its further
development in the context of contemporary society, for example developing
new music which uses some Chinese instruments. It is good to see that in both respects
Chinese culture is now receiving more attention in China and abroad.
oYang Cheng: In your mind, what is the ideal pattern of mankind's culture?
Michael O'Sullivan:It's difficult to say what the ideal for a culture is,
and in fact I don't think there can be any ideal culture. It would imply that
some cultures are better than others, which I don't think is true. And it
would suggest that a culture can remain the same, which is also wrong in my
opinion.
oYang Cheng:Our magazine, China's Ethnic Groups, tries to explore and explain
the diverse cultures among 56 ethnic groups in China. Would you like to give
us some advice for our future work?
Michael O'Sullivan:I've been to some "ethnic villages" for tourists
in Beijing and seen their programmes based on the life and traditions of ethnic
minorities, such as singing, dancing, music, and costumes. But these are just
trivia, mainly for the purpose of entertainment. Personally, I am quite critical
of regarding other cultures mainly as a source of entertainment. I would expect
many of your readers to be more interested in people's modern lives and achievements,
in the social, cultural and economic problems they encounter, and in the development
of policies to help them deal with such problems.