English
Version
2003.3
CONCERNING ABOUT THE ADORNING DESIGN
Once a nomadic Tibetan sells
an ox or sheep, the woman will have one more ornaments on her body. They carry
their wealth with them. The womanÕs clothes constitute a mobile “bank.”
At a Tibetan clothes competition, there were numerous clothes worth 1 million
yuan. This is a picture of female clothes in Yushu, Qinghai Province Photo by Zhang Chaoyin
Headwears of the Chong’anjia
sub-dialect of the west dialect of the Miao language, China. Photo by
Li Xiaoqin
Perhaps few people cannot deny the fact that a headwear of an ethnic group
has become themost obvious symbol by which we may distinguish one from another
while globalization has been becoming an irresistible fashion. Among people's
costumes, a headwear is the most exciting part, which strikes the eye at first.
Not only does it have some aesthetical values, but also it embodies the folkways
and national spirit of an ethnic group. We can also find that it is in close connection
with the economic development, regionalism and totem worship. If we regard costume
as a symbol of culture, headwear may be the preface for elaborating the view about
the symbol.
According to some costumes experts'Otilde; explanation, in the whole system
of costumes, the surface of headwear means a state of matter, the middle reflects
a folk custom and the depth mirrors psychology of an ethnic group. There are some
stories behind the beautiful and colourful headwear. While we enjoy and study
headwear, we think it the best way to describe it with so-called "colourful
words" for its abundance, beauty and diversity as such "colourful words"
can break barriers of all different languages and help those who try to comprehend
and enjoy it to be understood. It is another part to make us excited.

Headwears of the Mongolian
ethnic group in northern China. Photo by Cheng Weidong
Headwears of the Yao ethnic
group in China. Photo by Xu Zhengrong
Photo by Wang Guizhen
Clothing ornaments of the
Miao ethnic group in Guizhou Province.